 Tagline: Imagine your life hangs by a thread. Imagine your body hangs by a wire. Imagine you're not imagining. Ten cases. Now 12. Why are young, healthy patient admitted for minor surgery at Boston Memorial Hospital ending up on life support? Dr. Susan Wheeler wants to know. Somebody else wants her dead. Long before he created ER, Michael Crichton (Jurassic Park, Twister) adapted and directed this medical chiller based on Robin Cook's best-seller, Genevieve Bujold plays Wheeler, trailing clues, clambering along duct ways, hiding among morgue cadavers, infiltrating the eerie Jefferson Institute (an unforgettable marvel of spooky technology) and persuading her skeptical boyfriend and fellow doctor Mark (Michael Douglas) that her suspicions are not mere paranoia. For thriller fans, Coma is heart-poundingly good medicine. Storyline: A young woman doctor discovers something sinister going on in her hospital. Relatively healthy patients are having 'complications' during simple operations and ending up in comas. The patients are then shipped off to an institute that looks after them. The young doctor suspects there is more to this than meets the eye. Written by Colin Tinto Reviewer's Note: Reviewed by Michael Reuben, July 10, 2012 -- Before he settled into his familiar role as a best-selling novelist, Michael Crichton directed a handful of interesting films. One of them, Westworld, remains a minor classic of science fiction, and Coma remains as effective a thriller today as it was in 1978, because, let's face it, going in for surgery hasn't become any less anxiety-inducing. The film's producer has been quoted as saying that he wanted to do for hospitals what Jaws did for the ocean. The popular novel by Robin Cook—who was, like Crichton, a medical school graduate—provided excellent source material. Medical practices and technology have changed substantially in the thirty-four years since Coma, as have many other aspects of the healthcare system, including costs, access and the very structure of the physician's profession. But the basic imbalance of power between patients and providers remains. When you enter a hospital for a surgical procedure, no matter how minor, you surrender your fate and future to an array of professionals and technicians governed by routines and procedures of which you know little or nothing and many of whom you may never see. In point of fact, you no longer know what's going on, and if someone decides to change the program, you may never know the difference. Cook and Crichton crafted an effective paranoid thriller out of this common scenario, and they added what was then an unusual element by making their protagonist a female doctor who is forced to become an action hero. Drs. Susan Wheeler (Genevičve Bujold) and Mark Bellows (Michael Douglas) are surgical residents at Boston General Hospital, under Chief of Surgery Dr. Harris (Richard Widmark). They're also a couple who keep separate apartments and are struggling with the balance between careers and their life together. Susan is especially impatient with the amount of attention that Mark devotes to hospital politics, as he angles for the chief resident's job currently held by Dr. Bill Chandler (Michael MacRae). Susan shortly has more serious matters to consider. Her best friend, Nancy Greenly (future Moonraker Bond girl Lois Chiles), checks into Boston General for an early-term abortion disguised as a D&C and emerges from what should be a simple procedure brain-dead from the anesthesia. The anesthesiologists huddle around the comatose Nancy, but they can't explain what went wrong. Susan is grief-stricken, and Mark is appropriately supportive. But then Susan finds something odd in her friend's medical file: a tissue-typing report that was ordered anonymously. As Susan pursues inquiries into this anomaly, she meets with discouragement and stonewalling wherever she turns, especially from the head of anesthesiology, Dr. George (Rip Torn), who is exceptionally proprietary about his department's affairs. Or is it more than that? In violation of the confidentiality of medical records, Susan is able to learn of twelve cases of unexplained coma in otherwise healthy young patients admitted for minor procedures in the last year at Boston General. Her extracurricular activities land her in trouble with her boss, and even Mark is pressured to rein her in, but as always happens in conspiratorial thrillers, the bad guys make the mistake of trying to kill someone who only has suspicions. Now Susan knows she's onto something, and she has no choice except to press forward. Coma has a number of effective set pieces that still hold up, in large part because they don't depend on effects but on Genevičve Bujold's convincing portrayal of Susan Wheeler as a woman sufficiently driven to find out what's happening but still ordinary enough to be terrified by what she's doing. Susan's struggles as she climbs and crawls through the ducts and shafts of Boston General following a lead are realistically shot in a step-by-step manner that is textbook suspense cinema. Her flight from a deadly assailant through the neighboring medical school makes inventive use of the surroundings to stage a memorable game of cat and mouse that is probably not for the squeamish, even though the film is rated PG. (Crichton suggests much more than he shows in these scenes.) The most extended sequence is also the source of the film's most famous imagery, because it's set at the Jefferson Institute, a pilot program facility where long-term coma patients are efficiently and cheaply warehoused. Under the supervision of the caretaker, Mrs. Emerson (Elizabeth Ashley), a kind of Nurse Ratched for the inert, patients who will never wake up are suspended by wires in an environment that's climate-controlled, UV-irradiated and monitored by computer. Susan visits with a tour group of physicians, but slips away into unauthorized areas, where she learns some nasty secrets and is then pursued by Mrs. Emerson and her minions through corridors with video surveillance, onto window ledges and across ceiling beams. Susan escapes to what she thinks will be safety, but in a paranoid thriller that's always when danger is closest. There's an interesting speech near the end of Coma where a villain tries to justify the film's dastardly deeds, and if you listen closely, the reasoning has nothing to do with what's actually happening. At the time, the scene played like the ravings of a megalomaniac, but Crichton and Cook may have been cleverer than anyone realized. From the vantage point of today, one can hear portents of arguments from all sides of the current healthcare debate, as if the whole toxic brew were in the early stages of fermentation. As is so often the case, good sci-fi writers sense what's coming. (Trivia note: Keep an eye out for a young Ed Harris as a pathologist with a mildly ghoulish sense of humor. It was his first feature film.) Now that we have Coma, it's time to get more of Crichton's work as a director on Blu-ray. Westworld is a classic, but right behind it is Runaway, whose star, Tom Selleck, has a small part in Coma. I'm a great fan of Looker, Crichton's film about the advertising business, which may have dated somewhat, but it does feature Albert Finney, who is always engaging, and includes some memorable sequences involving a unique weapon based on light. The Great Train Robbery, starring Sean Connery as a gentleman thief, is a wildly entertaining heist film whose period detail has been waiting for the Blu-ray format to showcase it. Crichton was an irresistible storyteller in multiple mediums. Coma is a fine example. Highly recommended. Cast Notes: Genevičve Bujold (Dr. Susan Wheeler [as Genevieve Bujold]), Michael Douglas (Dr. Mark Bellows), Elizabeth Ashley (Mrs. Emerson), Rip Torn (Dr. George), Richard Widmark (Dr. Harris), Lois Chiles (Nancy Greenly), Hari Rhodes (Dr. Morelind [as Harry Rhodes]), Gary Barton (Computer Technician), Frank Downing (Kelly), Richard Doyle (Jim), Alan Haufrect (Dr. Marcus), Lance LeGault (Vince [as Lance Le Gault]), Michael MacRae (Chief Resident), Betty McGuire (Nurse), Tom Selleck (Sean Murphy).
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